compare and contrast the representation of the double in films, Meshes of the Afternoon (Deren, 1943) and Vertigo (Hitchcock, 1958). The discussion will include perception, otherness, subjectivity, with reference to duplicated females / displaced femininity useful readings 1) http://www.screeningthepast.com/2015/01/hitchcock-fabrics/ 2) http://sensesofcinema.com/2002/great-directors/deren-2/ 3) Clark, Vèvè A, Millicent Hodson, Catrina Neiman, Francine Bailey Price, Hollis Melton. 1984. The Legend of Maya Deren : a documentary biography and collected works. New York: Anthology Film Archives/Film Culture. 4) McPherson, Bruce R. (ed). 2005. Essential Deren: Collected Writings on Film. Kingston, New York: Documentext. 5) Nichols, B., Deren, Maya, & Nichols, William J. (2001). Maya Deren and the American avant-garde. Berkeley ; London: University of California Press. 6) Rhodes, John David. 2011. Meshes of the Afternoon, Basingstoke: Palgrave Macmillan, BFI Classics.